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Odizli Baby Boy Girl Footie Pants Print Footed San Jose Mall Max 64% OFF Ca Bottoms Cotton

Odizli Baby Boy Girl Footie Pants Print Cotton Footed Bottoms Ca

$9

Odizli Baby Boy Girl Footie Pants Print Cotton Footed Bottoms Ca

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Product description

-----PRODUCT DETAIL-----
✤ Condition: New With Tags
✤ Size: 3M-12M
✤ Color: As pictures shown
✤ Material: Cotton + Polyester
✤ Features: Footed Design, Elastic Waistband, Pumpkin/Halloween Element/Dinosaur/Animals/Heart/Stars Pattern Print
✤ Package Include: 1 Pair of Footed Pants
✤ Gender: Unisex
-----SIZE CHART-----
We measure the size manually, please allow slight 1-3cm difference. The suggested age is just for your reference.
✤ Tag No.3-6M: Recommended Size for Kids: 3-6 Months; Waist: 15.0"/38cm; Hip: 19.0"/49cm; Length: 13.0"/33cm
✤ Tag No.6-9M: Recommended Size for Kids: 6-9 Months; Waist: 16.0"/40cm; Hip: 20.0"/51cm; Length: 14.0"/35cm
✤ Tag No.9-12M: Recommended Size for Kids: 9-12 Months; Waist: 16.5"/42cm; Hip: 21.0"/53cm; Length: 15.0"/38cm
-----WASHING NOTE-----
✤ Hand wash under 30℃water with mild detergent
✤ Do not high temperature ironing
✤ Do not bleach

ODIZLI not only provides good quality clothes, but also professional service. If you have any questions, please feel free to contact us. We will response you within 24 hours.

Odizli Baby Boy Girl Footie Pants Print Cotton Footed Bottoms Ca

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Mitski

Bury Me at Makeout Creek

November 25, 2014

Alternative Singer/Songwriter

This third studio release from (now famous) indie artist, Mitski, takes a dive into the way a song's production can enhance a track. Differing from her previous albums and their polished sound, Bury Me At Makeout Creek can serve as an origin to the experimental production seen in her future albums for newer listeners interested in seeking out similar releases to one of her most recent and popular tracks, "Nobody."

- Kylie Lynne

Fred Neil

Fred Neil

December, 1966

Folk-Rock

The singer/songwriter's second album is a gem that continues to stand outside of time decades later. The beautifully sad, introspective songs of weary modern urban disaffection that Neil brought to these sessions in 1967 are among the best he ever wrote, and the perfectly balanced electric instrumentation suits them to a T.

- Steve Leggett